New shows focus on Emma Amos’s women of many colors, McArthur Binion’s “DNA Series” and Torbjorn Rodland’s arresting photographs.
Cornelius Gurlitt’s trove of inherited art, hidden for decades, is finally on view in two exhibitions. But bringing it into the light can’t dispel his ghost.
An exhibition at the Institut du Monde Arabe in Paris looks at 2,000 years of Christians in the Arab World. It has a message for France — and for us all.
At the Whitney, this artist’s superb midcareer survey and catalog highlight her art, life and times — and a world of possibility for painting.
Our critic won’t weigh in on the painting’s authenticity, but he will tell you what he saw: a blank-eyed Christ, meek and monotonous.
Robby the Robot sold for $5.375 million, breaking the record for price of a movie prop sold at auction.
To the dismay of some residents of Jamestown, N.Y., its historic library is selling a respected collection of art because it needs additional funds.
The photographer’s social conscience, revealed in a show at Pace/MacGill and a new edition of “Nothing Personal,” deepens his enduring legacy.
The Museum of Modern Art offers a commanding retrospective of five decades of Stephen Shore’s groundbreaking work.
Bolivian architect Freddy Mamani is gaining fame for his elaborate, electric style of architecture that he sees as part of a movement embracing local culture and traditions.